colorwork • The Knitting Vortex • Page 3

Slip Sliding Away

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Mar 242014

This graphic, topdown shawl begins with a garter tab, then is worked in narrow, two-color stripes with slipped stitches in reversed colors on each side of the central spine. The lower edging is a complementary slipped stitch rib which curves around the point and extends to each tip, emphasizing the strong linear elements of the shawl. Visually complicated but easy to work, only one color is used at a time, and the slipped stitches result in the pattern looking different on each half of the shawl. Increases on every row create a long v-shaped wingspan which accentuates the strong lines and showcases the changing optical interplay of colors. Techniques & Skills Used: garter tab CO, knit/purl, slipped stitch colorwork; this pattern is both written and charted. Size: 64” wingspan and 27” depth, after blocking. Yarn: Madelinetosh Tosh Sock (100% superwash merino wool; 395 yards/361m/100g), 1 skein each, MC and CC. Sample shown in MC Wood Violet and CC Victorian Gothic. This pattern may be adapted to any amount of yarn in two colors; see Designer’s . . .

Swirligig

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Dec 202013

An elongated, asymmetrical, swirling shawl that uses two colors, and simple knit, increase and decrease stitches to achieve a striking shape. Cast on with 3 stitches at one corner, Swirligig grows asymmetrically on the bias; adding stitches to each triangular section, while at the same time shifting the triangles by increasing and decreasing on a bias tilt. The garter stitch wedges are set off by swirling lines of yarnovers, and a matching line of yarnovers finishes the long edge. Techniques & Skills Used: knit, increasing/decreasing; this pattern includes written instructions, as well as a helpful stitch count table. Size: 112” length and 18” depth, after blocking. Swirligig forms a spiral shape expanding from one narrow point to the other wide end; see schematic for approximate shape. Yarn: Madelinetosh Tosh Sock (100% superwash merino, 395 yards/ 361m/100g); 1 skein MC and 1 skein CC, or approximately 380 and 295 yards respectively. Sample shown in Logwood (MC) and Ginger (CC). Other Materials: US 6 (4mm) 40” circular needle; Stitch markers (8); Yarn needle. Gauge: 20 st and . . .

Tartania Mitts

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Oct 292013

Hail, Tartania! Plaid hands are glad hands, and these tartan fingerless mitts make the technique easy. The horizontal colors are knit as stripes using one color at a time per row in a wide rib, then the vertical stripes are added at the end with a crochet hook in the purl columns; no crochet skills are needed. The Tartania Cowl is part of Hail, Tartania! an ebook collection which also includes a matching hat and fingerless mitts. Techniques & Skills Used: cable CO, knit/purl, knitting in the round, increasing; this pattern includes written instructions, as well as a chart and table for the plaid; a video tutorial is provided for the non-stranded plaid technique. Size: S (L); 6.75 (8)” circumference and 7 (8.75)” length; size S shown on 7” circumference hand. Yarn: Malabrigo Merino Worsted (100% Merino; 210 yards/192m/100g); 1 skein each MC, CC1, and CC2, shown in MC Tortuga, CC1 Hollyhock and CC2 Cadmium; the sample used approximately 75 (95), 10 and 10 yards respectively. Other Materials: US 8 (5mm) 24” circular needle for Magic Loop, . . .

Tartania Hat

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Oct 172013

A plaid hat is just the thing for fall, and this easy tartan method requires no stranding and produces a graphic result. The horizontal colors are knit as stripes using one color at a time per row in a wide rib, then the vertical stripes are added at the end with a crochet hook in the purl columns; no crochet skills are needed – it’s as simple as picking up dropped stitches. Mix and match your colors with the cowl and mitts for an eye-catching accessories set. The Tartania Hat is available as part of the Hail, Tartania! ebook collection, which includes the cowl, hat and fingerless mitts. If you are using Malabrigo Merino Worsted, you should be able to make all three accessories with a total of 3 skeins, one in each color, if you use a different MC for each as in the sample photographs. Techniques & Skills Used: knit/purl, cable CO, decreasing, knitting in the round; this pattern includes written instructions, as well as a chart and table for the plaid; a . . .

Plaidscape

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Sep 162013

Capes are the new coats for fall, and Plaidscape features a topography of colors knit seamlessly from the top down in bulky weight wool. Choose classic colors, or indulge your rainbow fantasies, and learn a new skill for making plaid without stranding. The horizontal colors are knit as stripes using one color at a time per row in a wide rib, then the vertical stripes are added at the end with a crochet hook in the purl columns; no crochet skills are needed – it’s as simple as picking up dropped stitches. Construction: Plaidscape is cast on at the garter stitch collar, then the body is worked in the horizontal plaid pattern with raglan increases to the end of the wide elbow-length sleeves. The sleeves are divided from the body, which continues to grow in an A-line shape to the curved hem. The body and sleeve hems are worked in garter stitch, and applied I-cord neatly finishes the front edges; the double-breasted front closes with I-cord frogs and knots. Sizing Notes: The large scale plaid . . .

Phi

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Aug 022013

The Golden Ratio, or Phi, represents harmony in nature, art and mathematics, and embodies the human perception of beauty. This asymmetric shawl harmoniously blends two colors to the Golden Mean, and then back again, using the Fibonacci sequence to determine the width of the stripes and their relation one to the next . . . All knitting, always pleasing, with a graphic , and harmonious result. Techniques & Skills Used: increasing/decreasing, knit; Phi includes instructions in written and quick table format, and a link to my video tutorial for carrying the unused color along the garter edge. Size: 90” length and 16” depth. Yarn: Malabrigo Yarn Finito (100% merino; 200 yards/183m/50g; 2 skeins MC and 2 skeins CC, or about 370 and 300 yards respectively of fingering weight yarn. Sample shown in Plomo (MC) and Mostaza (CC). The yardage requirements ratio of MC to CC is approximately 1.25 : 1 – make sure you have about 80% as much CC as MC to complete the sequence. Other Materials: US 5 (3.75mm) 32” circular needle, or . . .

Sundry

New Release, Patterns, Wraps 1 Response »

May 042012

An elongated, asymmetrical wrap that combines the warmth and style of a shawl with the wearability of a scarf, Sundry means various or diverse, and this wrap features two colors, two stitch patterns and endless styling options. Cast on at the long, pointed end, Sundry has shaping at each end of rows that grow ever wider. Two colors contrast yet harmonize in solid garter stitch and houndstooth slipstitch sections; the slipstitch is easily worked using just one color per row. A simple picot bind off finishes the long straight end. Techniques & Skills Used: cable CO, knit, increasing/decreasing, slipstitch colorwork, picot BO; the slipstitch pattern is both written and charted, with a link to my video tutorial included for the picot BO. Size: 112” length and 24” depth, customizable. Yarn: String Theory Hand Dyed Yarn Selku (50% Silk, 50% Merino; 375 yards/113g); 1 skein MC & 1 skein CC, shown in Pewter (MC) & Alexandrite (CC). Any amount of yarn in two colors may be used. As written, the sample required almost every bit of yarn; see Designer’s . . .

Magickal Quidditch Socks

Accessories, New Release, Patterns 1 Response »

Jan 202012

A tribute to the Quidditch players of Harry Potter’s Wizarding World, or to any sock-loving Muggle, these colorwork socks are knit from the cuff down with a heel flap and gusset. The simple slipstitch technique requires working only one color at a time per row. Show your House colors with pride! Techniques & Skills Used: longtail CO, knit/purl, increasing/decreasing, slipstitch colorwork, knitting in the round, grafting; this pattern includes both charts for the colorwork and full written instructions. Size: S (M, L); 60 (68, 76) st; to fit 10 (11, 12)” calf, or Women’s US 6/7 (8/9, 10/11) shoe size; shown in size M. Yarn: Madelinetosh Tosh Sock (100% superwash merino wool; 395 yards/114g); 1 skein each, or approximately 215 (240, 265) yards MC and 70 (80, 90) yards CC. Sample shown in Baltic (MC) and Ginger (CC). Other Materials: US 1 (2.25mm) dpns, or 32” circular needle if using Magic Loop, or size to match gauge; Stitch markers (3); Yarn needle. Gauge: 34 st and 48 rows/4” in stockinette stitch; 36 st and 48 rows/4” in Checkerboard slipstitch pattern; . . .

Ravenclaw Socks

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Oct 192011

Knitting has been slightly stalled during The Visit From The InLaws, but fortunately I’m back on track for WIP Wednesday. As Harry Potter fans know, the game of Quidditch is essential wizard sport, as well as a chance to don House spirit regalia. And as knitting Harry Potter fans may know, the Ravelry Harry Potter Knitting & Crochet House Cup is a group of knitting, wizardly fans of all things HP. The House Cup, as we call it, is constantly evolving to provide more ways to knit stuff and be fanlike. This semester our lovely HeadMistress and tireless staff have introduced BROOMs as a new way to earn additional points for one’s house in the Cup; there are acronyms, secrecy and general role-play fun. And in my case, there are Ravenclaw Socks: Maybe I can get the second one started at Stitches East this weekend.

Sailing To Byzantium

Accessories, Patterns, Wraps 5 Responses »

Sep 262011

For over 1000 years, the Byzantine Empire stood as a symbol of Christian power in the eastern half of what had once been the Roman Empire, symbolizing a final link to the ancient world of the Greeks and Romans. Renamed Constantinople in 330 AD by Constantine I, the ancient city of Byzantium remained a center of wealth and power despite its fall to the western knights of the Fourth Crusade in 1203. The future of the city changed forever in 1453, when it was besieged by Sultan Mehmet II and the Ottoman Turks, overrun, and reborn as Istanbul, the capital of the Ottoman Empire. A city of ancient Roman stonework, early Christian domes, towering Islamic minarets and intricate Ottoman tile and mosaics, Byzantium now stands for a dream of splendor and beauty straddling Europe and Asia Minor. Byzantine architecture is notable for its stacked shapes; minarets towering over domes, above arches and blocks. The repeating geometric motifs create a strong visual effect, in warm tones of sandstone, clay, stone and lead. The geometry is enhanced . . .

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