Jennifer

Recovering attorney and emigree from 7th Avenue, I now combine my technical and creative passions to design knitwear. My design viewpoint is all about making simple, attractive garments and accessories, using a bit of interesting construction or an intriguing detail.

May 012014
 

Diagonal lines fire across this elongated, asymmetric shawl, creating striking contrasts in angles and colors. Textural stripes are worked using simple knit and purl stitches, while the intersecting columns are created by slipping stitches at regular intervals; only one color is ever worked at a time. The sample pairs a neutral main color with a long, self-striping yarn as the contrast color, but using a variegated yarn or leftovers to create your own custom stripe colors as the contrast would be equally lovely. The long, bias shape shows off the dramatic pattern while being easy to wear, and the simple construction adapts to varying amounts of yardage.

Techniques & Skills Used: knit/purl, increasing/decreasing, slipped stitches; this pattern is both written and charted.

Size: 92” length and 18” depth.

Yarn: Madelinetosh Tosh Merino Light (100% merino wool; 420 yards/ 384m/100g); 1 skein MC; Crystal Palace Yarns Mini Mochi (80% merino wool, 20% nylon; 195 yards/178m/50g); 2 skeins CC. Shown in Natural (MC) and 120 Fireworks (CC), and using about 420 and 350 yards respectively. This pattern may be adapted to any amount of yarn in two colors; see Designer’s Notes.

Other Materials: US 5 (3.75mm) 32” circular needle, or size to match gauge; Yarn needle.

Gauge: 24 st and 38 rows/4” in Body stitch pattern, after gentle blocking. Gauge is not critical for this project, however a different gauge may result in a smaller or larger finished shawl, and different yardage requirements.

See it on Ravelry or on Payhip, to read more or purchase the pattern.  

Apr 262014
 

I like to use every last bit of my yarn whenever possible; it both appeals to my frugal side, and justifies the purchase of new stash, since I’m using what I have so wisely. My ideal shawl is one like Sundry, where you can knit until you run out of yarn, leaving only enough for the bind off. I also find myself eking out sweaters with slightly-too-little yardage, by saving the sleeve cuffs for last (even after finishing!) and working both simultaneously until zero yarn remains.

Sundry maximizes yarn

That still means you have to make sure you actually have enough so that you don’t get a dozen stitches from a completed bind off with 1″ of yarn remaining – one of a knitter’s most painful moments. There are several ways you can estimate how much to leave, in order to maximize your yardage.

1. The rule of thumb is to leave about 3 times the length of the row, or approximately 1″ of yarn per stitch. These guesstimates can both be done quickly, and you can choose a rough average of the two and proceed. This can be a slightly reckless approach good for the the live dangerously type, and the possibility that you wont have enough increases as your gauge gets larger. If you’re working with superbulky yarn, try leaving at least 4 times the length of the row for starters.

2. If you can brave a bit more math, there are more options. For the stitch-count lovers (I’m talking to you, spreadsheet people) pick a small number of stitches evenly divisible into the total stitches you will have for the row in question. Measure how much yarn it takes to knit that small number – just knit them, then tink and measure the yarn. Multiply that measurement by the number of times your small number is divisible into your total. Let’s say your questionable row has 200 stitches; knit 20, mark the yarn with a paperclip, tied-on scrap or by just pinching with your finger, then tink back and measure how much yarn those 20 stitches required. Multiply by 10 and that’s about how much you’ll need for the row. Technically that’s how much you’d need to knit the row, which is good if you’re finishing a section; binding off can take a bit more, especially if it’s a stretchy through the back loop type – either add in some extra, or more scientifically, bind off those 20 stitches and measure the yardage it takes.

3. For the math-y visual types, you can run a full trial row – and again this is more indicative of the amount necessary to work the row rather than to bind it off. Pull out a few yards from the skein, more than you think you need, and measure off an arbitrary amount, 6′ for example. Mark the 6′ with a slipknot or the handy tied-on scrap. Then work the trial row, and measure how much is left before the marked off amount, in order to determine how much yardage the row used. In our example, if 12″ remain before your marker, you know that one row requires 5′ of yarn. It’s a good idea to leave a little more, just in case.

4. Finally, my favorite scientific variation of number 3, and the method that I think is most accurate, is to weigh your yarn. I use the digital scale, set to grams. As you’re nearing the bind off or the row in question, weigh the remaining yarn in the skein. Work the row, then weigh again; that’s the amount needed for the row. If you haven’t waited to do this until the almost bitter end, you can easily check several rows and average the amounts, if they show any difference. I think this method is the simplest, too, because there’s no measuring and no math – just pop the skein onto the scale. For a bind off, I leave extra – perceptually,  even doubling the 2 grams of sock yarn that the scale says I need to 4 grams, still makes me feel virtuous and thrifty.

Then congratulate yourself on your success, and go out and buy another skein; you deserve it for managing your resources so wisely.

 

Sneaky Sorbet

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Apr 232014
 

Sorbet sneak peek seam ends | The Knitting Vortex

I finished the knitting last night, so today was all about weaving in ends – and with a multi-striped sweater, there were a lot of them. Working in the round and twisting the colors created a tidy RS, but a bit of work to do on the private side. After a soak and block, I’ll see how the final result looks.

And I’ll just mention that with the coming of spring (finally!), my mind is totally on sorbet; blueberry, raspberry, strawberry, pistachio . . .

Sorbet sneak peek | The Knitting Vortex

Slip Sliding Away

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Mar 242014
 

Slip Sliding Away cover | The Knitting Vortex

This graphic, topdown shawl begins with a garter tab, then is worked in narrow, two-color stripes with slipped stitches in reversed colors on each side of the central spine. The lower edging is a complementary slipped stitch rib which curves around the point and extends to each tip, emphasizing the strong linear elements of the shawl. Visually complicated but easy to work, only one color is used at a time, and the slipped stitches result in the pattern looking different on each half of the shawl. Increases on every row create a long v-shaped wingspan which accentuates the strong lines and showcases the changing optical interplay of colors.

Techniques & Skills Used: garter tab CO, knit/purl, slipped stitch colorwork; this pattern is both written and charted.

Size: 64” wingspan and 27” depth, after blocking.

Yarn: Madelinetosh Tosh Sock (100% superwash merino wool; 395 yards/361m/100g), 1 skein each, MC and CC. Sample shown in MC Wood Violet and CC Victorian Gothic. This pattern may be adapted to any amount of yarn in two colors; see Designer’s Notes.

Other Materials: US 7 (4.5mm) 40” circular needle; US 8 (5mm) needle for edging; scrap yarn for provisional CO; Stitch markers (4); Yarn needle.

Gauge: 20 st and 40 rows/4” in Body slipstitch pattern, after blocking. Gauge is not critical for this project, however a different gauge may result in a smaller or larger finished shawl, and different yardage requirements.

See it on Ravelry or on Payhip, to read more or purchase the pattern.  

Slip Sliding Away | The Knitting Vortex  Slip Sliding Away crossed closeup | The Knitting Vortex  Slip Sliding Away bandanna style | The Knitting Vortex

Mar 132014
 

I’m pleased to announce that as of June 2015, Box Pleat is available as an individual pdf pattern from my Ravelry store. I’ve extended the size range to 10 sizes from 36.5 to 57.25 (and suggest it be worn with about 6″of positive ease), and expanded the pattern instructions and notes, as per my usual pattern style and format. See all the details and the new photos on my new blog post, and on Ravelry.

I buy all the knitting magazines, and my favorite by far is knit.wear from Interweave – so modern, with beautiful, simple photography anBox Pleat Scoopneck in knit.wear S/S2014d exactly the kinds of things I like to knit. Having a design published is always exciting, but I’m extra-jazzed about my Box Pleat Scoopneck sweater, which is in the Spring/Summer issue of knit.wear.

Box pleats can easily bring to mind classic schoolgirls with blazers and penny loafers, so the challenge here was to design a clean updated look that a modern girl would want to wear. I kept the fabric simple stockinette, and gave the boxy sweater shape that’s so popular right now a feminine spin by shaping only the back with princess seams, and leaving the fullness in the front to be consumed just below the deep neckline in the pleats. One large center box pleat flanked by two small side pleats keeps the whole look streamlined, and the seamless set-in sleeves maintain neat, fitted shoulders – I love the dropped-shoulder, square and boxy look, but this sweater is a bit more refined. Plus, the construction is modern and simple too – worked in the round from the bottom up, with seamless short-row sleeves.

Box Pleat project | The Knitting Vortex

 Box Pleat project | The Knitting VortexThe Blue Moon Fiber Arts Woobu that was my suggested yarn is a great wool/bamboo blend that knits like wool but adds a little extra drape and sheen perfect for a warmer weather sweater. It was ideal for the early fall, too, when I took these photos.

For all the pattern details, see the Box Pleat Scoopneck on Ravelry; and check out all the other fabulous designs in knit.wear Spring/Summer as well – I love them all!

Clubbing with Katie

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Mar 022014
 

Probably my all-time favorite movie is Gone With The Wind; I love everything about it – the period costumes, the sweeping narrative, the human frailties. And of course the heroine, Katie Scarlett O’Hara. As flawed a human being as she is, with her childish, manipulative, selfish temperament, she is also unflinchingly strong and unfailingly loyal to the people and places she considers her own. Certainly she qualifies as a heroine in my view.

Last year, Anne from Wooly Wonka Fibers invited me to design two shawls for her 2014 Heroines Shawl Club, and asked me to pair my choice of heroines with her lovely hand-dyed yarns. And so I designed two shawls, using Artio Lace and Aerten Sock to depict two admirable heroines. The first of these is the design in the March 2014 club kit, Katie Scarlett.

It’s a semi-circular laceweight shawl, knit from a garter tab cast on, with four tiers of lace patterns that represent Miss Scarlett’s trajectory through life. The beautiful, jewel-green color is the exclusive Twelve Oaks colorway, meant to recall the infamous velvet curtain dress. Always resourceful, our girl Scarlett; and always a lovely, nuanced color sense from Anne.

All the design details are on Ravelry, where the pattern will also be available for sale as a downloadable pdf as of June 1. Hard to wait, I know . . . but after all, tomorrow is another day.

Thrifty Grey Day

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Feb 262014
 

With a little break in the snowing action, I took the opportunity for a bit of thrifting. Unlike my last Radiant Orchid haul, this interlude was all about the greys.

Thrifty Shoesday 2.24.2024 | The Knitting Vortex

Look at the pieces de resistance – the Carlos Santana heels! I’m putting them on as soon as I dont need snow boots anymore. Some nice knits, too; a curvy black sweaterdress with huge ribbed portrait cowl, an open-front long cardi from Old Navy with silver metallic bling, and a cashmere crew with black contrast sleeves. Add a couple tops and some really nice White House/Black Market black and white tiny check pants, and it’s a wardrobe. With snow leopard!

Thrifty stack 2.24.2014 | The Knitting Vortex

 

The Fisher Queen

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Feb 242014
 

A modern take on the fisherman sweater, The Fisher Queen blends classic cable and rib elements with a non-traditional shape and construction. Heavily textured Mistake Rib, along with Honeycomb and Snake cables cover the front and back, while the fitted sleeves are worked in Rib. The slim modified dolman sleeves, scooped neck and curved hem bring updated details to the silhouette, mixing traditional and modern in a contemporary classic.

Construction: The Fisher Queen is worked seamlessly from the top down; the shoulder saddles are knit first, with stitches picked up for front and back and worked flat to below the armhole, then joined to work in the round. Long, skinny sleeves are picked up and worked in rib, then finished with twisted rib cuffs, matching the hem and neckband.

Techniques & Skills Used: backwards loop CO, knit/purl, cables, decreasing, short rows, picking up stitches, grafting. Body stitch patterns are both written and charted.

Size: 31 (35, 39, 43, 47, 51, 55)” bust; shown in third size worn with 4” of positive ease. For a similar fit, choose a size with several inches of ease; the cables and rib will conform gently to the body, while still maintaining a relaxed silhouette.

Yarn: Cascade Yarns Ecological Wool (100% wool; 478 yards/437m/250g), shown in 8014 Vanilla; 2 (2, 3, 3, 3, 3, 4) skeins, or approximately 875 (965, 1115, 1200, 1375, 1475, 1650) yards of heavy aran weight yarn. The yardage requirements for sizes 35, 47 and 51 are very close to requiring an additional skein of Eco Wool; consider purchasing an extra to be sure you have enough.

Other Materials: US 9 (5.5mm) 32” circular needle or size to match gauge; US 8 16” circular needle for picking up stitches; Cable needle, Stitch markers; Stitch holders; Yarn needle.

Gauge: 16 st and 22 rows/4” in stockinette stitch and in slightly stretched rib, with larger needle, after blocking. The central cable panel is 5.5” wide.

See it on Ravelry or on Payhip, to read more or purchase the pattern.   

    

Loops at the Fireside

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Feb 212014
 

A woolly mantle knit as a simple rectangle with sleeves, Loops at the Fireside features seamless construction in light-as-air alpaca blend yarn. The textured top edge is worked in a dimensional, garter-based loop stitch, and becomes the collar of the sweater; the body is a canvas of pure stockinette stitch with purl ridge details along the fronts, hem, and sleeve cuffs. Together, the comforting shape and modern bulky yet featherweight yarn come together in a new-fashioned garment to wear both at home by the fireside and out into the chill.

Techniques & Skills Used: cable CO, knit/purl, decreasing, picking up stitches.

Size: 30 (32, 34, 36, 38, 40, 42, 44, 48, 52, 56, 60, 64)” bust; shown in third size worn with no ease. The sizing of this blanket sweater is designed to be as flexible as possible; the open front ensures that any shape and size can find a good fit within the wide range, depending on amount of ease desired. As a starting point, choose a size with 0-2” ease at your cross-back, and size up from there for a more generous fit.

Yarn: Blue Sky Fibers TECHNO (68% baby alpaca, 22% silk, 10% extrafine merino; 120 yards/110m/50g); 10 (11, 12, 13, 15, 16, 17, 18, 21, 23, 25, 28, 30) skeins, shown in #1970 Fame.

Other Materials: US 10.5 (6.5mm) 60” circular needle, or size to match gauge; Stitch marker; Yarn needle.

Gauge: 12 st and 20 rows/4” in stockinette stitch; 12 st and 10 rows/4” in Garter Loop stitch, after gentle blocking.

See it on Ravelry to read more or purchase the pattern.