Journey along this asymmetric garter based shawl, as colorful stripes and simple slipped stitches build upon each other. The Brae shawl is knit on the bias from one end to the other, with stripes flowing into a rippled slipstitch pattern, interspersed with solid bands of color. Pair two contrasting colors, or a variegated or tonal skein with a neutral complement, and have fun watching the colorful contrast advance across the shawl while knitting. Techniques & Skills Used: cable CO, knit/purl, increasing/decreasing, slipped stitches. Instructions are fully written, with a chart also provided for the slipstitch section. Size: 65 (75)” length and 13 (15)” depth, customizable. Instructions are included for two finished sizes; choose the larger version to use up most of two full skeins, or the smaller version when working with partials, see Designer’s Notes. Yarn: Miss Babs Yummy 2-Ply (100% superwash merino wool; 400 yards/366m/113g); 1 skein each A and B. Small version shown in Pewter and Lotus, and large version in Parchment and Denim, respectively. The sample used approximately 250 (360) yards A . . .
Techniques & Skills Used: cable CO, knit/purl, increasing, easy lace; instructions for this pattern are both fully written and charted. Size: 80” wingspan and 40” depth; this shawl may be customized in length and depth to accommodate varying yardage. Yarn: Julie Asselin Milis (100% superwash merino wool; 475 yards/ 438m/115g); 1 skein each A, B and C, shown in Clair de Lune, Sunset and Arlequin, respectively. The sample used almost all of the yardage from each skein, but any amount of yarn in any combination may be used; see Designer’s Notes. Other Materials: US 6 (4mm) 32” circular needle, or size to match gauge; Yarn needle. Gauge: 18 st and 36 rows/4” in garter stitch and lace pattern, after blocking. Gauge is not critical for this project, however a different gauge may result in a smaller or larger finished shawl, and different yardage requirements. See it on Ravelry, to read more or purchase the pattern. Save Save
Bold blocks of intarsia decorate the front and back of this long and lean tank. Worked flat from the bottom up with a slightly longer back, the built-in rib edging is seamed at the sides, leaving slits at the hem. Waist shaping and an a-line flare at the hip emphasize the casual breeziness, and deep v-shaped armholes add to the linear styling. Techniques & Skills Used: Italian tubular CO, knit/purl, increasing/decreasing, intarsia, German short rows, cable CO, applied I-cord (provisional CO and grafting), 3-needle BO; links are provided to my techniques tutorials. Size: 32 (34, 36, 38, 40, 42, 44, 48, 52)” bust; shown in second size worn with 1” negative ease. Yarn: Cascade Yarns Ultra Pima (100% pima cotton; 220 yards/200m/100g), shown in MC 3718 Natural and CC 3729 Gray; 2 (3, 3, 3, 3, 3, 3, 4, 4) skeins MC and 1 (2, 2, 2, 2, 2, 2, 2, 2) skeins CC, or approximately 425 (475, 500, 525, 575, 600, 625, 725, 800) yards of MC and 210 (230, 250, 270, 290, 310, . . .
vary: to change periodically or in succession; differ or alternate An asymmetric shawl that combines various patterns, this bias wrap moves from simple garter stripes through slipstitch colorwork and back again. Cast on at the long, narrow end, Vary grows on the bias only ever using one color at a time in each row. Choose two colors or even more, and make it your own by varying the placement of the different stitch patterns; the simple construction adapts easily to different amounts of yardage and to your artistic vision. Techniques & Skills Used: knit/purl, increasing/decreasing, slipstitch colorwork; the slipstitch pattern is written only. Size: 105” length and 21” depth, customizable; see schematic. Yarn: String Theory Hand Dyed Yarn Selku (50% silk, 50% merino wool; 375 yards/113g); 1 skein MC and 1 skein CC. Shown in Viola (MC) and Juice (CC), and using about 340 and 370 yards respectively. Other Materials: US 7 (4.5mm) 32” circular needle or size to match gauge; Yarn needle. Gauge: 15 st and 30 rows/4” in garter stitch, after blocking. . . .
My giant, asymmetrical, two-color shawl Sundry is one of my most popular designs. It’s so over the top, I had no idea what sort of reception it would get once released. But people seem to like it, which is always great. I think it’s the opportunity to mix and match colors, and to customize their placement. A look at some projects on Ravelry shows all sorts of beautiful choices: One of the reasons I love the sample so much is the yarn I used; Selku by String Theory Hand Dyed Yarn. It’s a wool and silk sportweight blend with excellent drape, and the gorgeous colors for which Karen and Tanis are known. I was fortunate to see their lovely yarns in person at out tiny, local sheep and fiber festival at the beginning of September, and inspired to create another design using Selku. I was looking for something to pair with the purpley-blue Viola colorway I had been hoarding, and found a deep raspberry that was perfect. For fans of Sundry, my new shawl Vary . . .
I finished the knitting last night, so today was all about weaving in ends – and with a multi-striped sweater, there were a lot of them. Working in the round and twisting the colors created a tidy RS, but a bit of work to do on the private side. After a soak and block, I’ll see how the final result looks. And I’ll just mention that with the coming of spring (finally!), my mind is totally on sorbet; blueberry, raspberry, strawberry, pistachio . . .
This graphic, topdown shawl begins with a garter tab, then is worked in narrow, two-color stripes with slipped stitches in reversed colors on each side of the central spine. The lower edging is a complementary slipped stitch rib which curves around the point and extends to each tip, emphasizing the strong linear elements of the shawl. Visually complicated but easy to work, only one color is used at a time, and the slipped stitches result in the pattern looking different on each half of the shawl. Increases on every row create a long v-shaped wingspan which accentuates the strong lines and showcases the changing optical interplay of colors. Techniques & Skills Used: garter tab CO, knit/purl, slipped stitch colorwork; this pattern is both written and charted. Size: 64” wingspan and 27” depth, after blocking. Yarn: Madelinetosh Tosh Sock (100% superwash merino wool; 395 yards/100g), 1 skein each, MC and CC. Sample shown in MC Wood Violet and CC Victorian Gothic. This pattern may be adapted to any amount of yarn in two colors, see Designer’s . . .
An elongated, asymmetrical, swirling shawl that uses two colors, and simple knit, increase and decrease stitches to achieve a striking shape. Cast on with 3 stitches at one corner, Swirligig grows asymmetrically on the bias; adding stitches to each triangular section, while at the same time shifting the triangles by increasing and decreasing on a bias tilt. The garter stitch wedges are set off by swirling lines of YOs, and a matching line of YOs finishes the long edge. Techniques & Skills Used: knit, increasing/decreasing; this pattern includes written instructions, as well as a stitch count table. Size: 18” deep at larger end and 112” long on outer edge, after blocking; Swirligig forms a spiral shape narrowing from one wide end to the other pointed end. Yarn: Madelinetosh Tosh Sock (100% superwash merino, 395 yards/100g); 1 skein MC and 1 skein CC, shown in Logwood (MC) and Ginger (CC). As written, this shawl uses approximately 380 yards of MC, and 295 yards of CC. Other Materials: US 6 (4mm) 40” circular needle; Stitch Markers (8); . . .
Plaid hands are glad hands, and these tartan mitts make the technique easy. The horizontal colors are knit as stripes using one color at a time per row in a wide rib, then the vertical stripes are added at the end with a crochet hook in the purl columns; no crochet skills are needed – it’s as simple as picking up dropped stitches. The mitts complete the plaid set, made to match or in complementary colors. Techniques & Skills Used: knit/purl, knitting in the round; this pattern includes written instructions, as well as a chart and table for the plaid; a video tutorial is provided for the non-stranded plaid technique. Size: S (L): 6.75 (8)” circumference and 7 (8.75)” length; size S shown on 7” circumference hand. Yarn: Malabrigo Merino Worsted (100% Merino; 210 yards/100g); 1 skein MC, 1 skein CC1, 1 skein CC2, shown in MC Tortuga, CC1 Hollyhock and CC2 Cadmium, and using approximately 35 (45), 5 and 5 grams respectively. Other Materials: US 8 (5mm) 24” circular needle for Magic Loop, or . . .
A plaid hat is just the thing for fall, and this easy tartan method requires no stranding and produces a graphic result. The horizontal colors are knit as stripes using one color at a time per row in a wide rib, then the vertical stripes are added at the end with a crochet hook in the purl columns; no crochet skills are needed – it’s as simple as picking up dropped stitches. Mix and match your colors with the cowl and mitts for an eye-catching accessories set. The Tartania Hatl is available as part of the Hail, Tartania! ebook collection, which includes the cowl, hat and fingerless mitts for $6.00. The mitts will be released at the end of October. If you are using Malabrigo Merino Worsted, you should be able to make all three accessories with a total of 3 skeins, one in each color, if you use a different MC for each as in the sample photographs. Techniques & Skills Used: knit/purl, knitting in the round; this pattern includes written instructions, as well . . .