Plixi is a long and lean open front cardigan, with gentle waist shaping and a flowing ruffle at the front edge and cuffs. Worked seamlessly from the top down in a drapey fingering weight yarn on larger needles, Plixi uses the contiguous method of seamless shoulder and sleeve construction, with a picked-up ruffle along the front edge, and a simple purled hem finish. Long, slim, and elegant, Plixi works with jeans or a dress, for a sleek and chic style to elevate any outfit. Construction: Plixi uses the contiguous method of construction, in which the fronts and back are worked from the top down using increases along the shoulder line, then seamless sleeves are worked simultaneously once the sleeve cap is reached. Techniques & Skills Used: longtail and backwards loop CO, contiguous construction, knit/purl, short rows, increasing/decreasing, lifted increases, picking up stitches, simultaneous shaping; links are included to my short rows and contiguous construction tutorials. Size: 32 (34, 36, 38, 40, 44, 48)” bust; sample shown in second size worn with no ease. Yarn: RYC . . .
A shapely topdown raglan with extended front panels, Pauroxo has a swingy A-line shape when worn open, and an enfolding cropped jacket vibe when closed with a shawl pin or belt. This easy cardigan is knit seamlessly with simple rolled front edges, Twisted Rib hem and cuffs, and a picked up collar band in Cable and Twist Rib. Pau Roxo is Portuguese for purple wood, and this cardigan is inspired by the striking deep violet wood from the Purpleheart tree found in tropical rainforests. Construction: Pauroxo is knit seamlessly from the top down with raglan sleeve shaping; the body and sleeves are worked in stockinette stitch to the armhole depth, then the body is divided from the sleeves and worked with gentle waist shaping to the narrow Twisted Rib hem. Relaxed sleeves are then worked to just below elbow length and finished with matching Twisted Rib cuffs. Stitches are picked up along the neckline and worked in a decorative Cable & Twist Rib. Waist shaping placement and length may be customised easily; just try on this . . .
Jilted
Jilted, dropped, fallen . . . She may have been left ignominiously by that worthless boyfriend, but that just means her spirit is free. No more quiet evenings in, no more covered-up turtlenecks; she’s going out, and she’s going to wear something touchable and revealing, something imperfect and undone. And it’s going to be eye-catching, just like she is. Dressed up or down, Jilted is a simple sweater with a surprise – just like the girl wearing it. Construction: Jilted is a very simple, wide-neck blouson with a column of dropped stitches placed on each arm and asymmetrically on the front. Knit in sockweight yarn on larger needles, seamlessly from the top down with raglan shaping, the boxy fit hits at high hip with deep 2.25” ribbed hem, which echoes the rib cuffs on three-quarter length sleeves. With a simple purl neckline and stockinette body, the focus is on the dropped stitches, which are set up at the beginning and dropped almost at the end. There is no body and minimal sleeve shaping; instead the cuffs . . .
Kelpen
A casual tunic tee featuring a deep V-shaped back neckline with twisted cord ties, Kelpen is a simple topdown seamless knit from provisionally cast on shoulders. Stockinette stitch with no body shaping and a textured, drapey yarn focus attention on the details; the wide front and deep back neckline are finished with a casual rolled edge, and ribbing forms the short cap sleeves. Casual for daytime or just enough to keep off a summer evening chill, Kelpen is easily adjusted for length, and can also be worn with the V-neck to the front – just omit the ties or tuck them inside. Construction: Kelpen is cast on provisionally at each back shoulder and worked back and forth with deep V-neckline shaping, then joined and worked to the armhole depth where the back is put on hold. Each front is then worked from the provisionally cast on shoulder stitches with a wide boat neckline, then joined and worked to the armhole depth. Front and back are united, with stitches cast on for the underarm, then worked . . .
Blue Honey
Worked sideways in one flat piece from right to left sleeve cuff, Blue Honey is a long, open front cardigan with honeycomb stitch at the shoulders and a wide garter band finishing the collar and front edges. With just two sideseams, it’s a sweater that is easy to knit and flattering to wear, featuring long, lean lines and pretty textured stitch details that show off a beautiful variegated yarn. Construction: Blue Honey is cast on at the right sleeve cuff, then the right sleeve, front and back are worked flat to the center front/center back of the garment. Stitches are bound off for the right front opening edge, the back is continued, then stitches are cast on again for the left front, and the left front, back and sleeve are worked to the left sleeve cuff. Two long continuous seams from the undersleeve to the hem finish the sweater. In this sideways knit, row gauge determines body circumference, while stitch gauge determines length. Techniques & Skills Used: cable CO, knit/purl, increasing/decreasing, picking up stitches, seaming. . . .
Rhadamanthys
Rhadamanthys was the wise mythological Greek king who judged the dead and ruled the Fortunate Isles, where those heroes who had thrice been received into the Elysian Fields resided. Celebrate three blessings with this easy, sideways-knit sweater; it is knit in one piece with no seaming, requires no finishing, and is worked all in garter stitch. Three turning points in the short row shaping delineate body, yoke and collar, creating a shapely fit around the shoulders and upper torso. The garter stitch and extended front panels make it suitable for many shapes and sizes, and the fit may easily be further customized in length or circumference. Construction: Rhadamanthys is cast on at the left front edge, and worked sideways around the body to the right front. Except for the full-row front panels, it is knit entirely in short rows using the wrap & turn method; there is no need to pick up the wraps and knit them together with the wrapped stitch when you encounter them on the following row, as the wraps will disappear into . . .
River Union Cardi
Wide sleeves and a cropped silhouette bring stylish attitude to the River Union Cardi. Extended raglan lines and volume sleeves create a blouson shape, while deep ribbing defines the waist. The full sleeves are balanced by their three-quarter length and deep ribbed cuffs, which match the figure-flattering waist ribbing at the hem. Knit seamlessly from the top down, it’s a fast knit with a fresh feel. Construction: River Union is worked seamlessly from the top down in one piece with raglan shaping, in stockinette stitch with a deep, ribbed hem and cuffs. Stitches are picked up for the ribbed collar and buttonband, which finish the cardi with no seaming required. Instructions for working the simple, neat buttonholes are included in the photo tutorial with this pattern, and also appear in my video tutorial. Techniques & Skills Used: provisional CO, twisted purlwise CO, raglan construction, knit/purl, increasing, picking up stitches; pattern instructions include a photo tutorial for the buttonholes. Size: 32.5 (35, 37.5, 40.5, 43.5, 47.5, 50.5)” bust; sample shown in third size worn with 2.5” positive ease. Yarn: Berocco . . .
Stolitsa
A multi-season dolman sleeve cardigan, Stolitsa transitions perfectly to suit the changing weather from autumn through spring. Worked from the top down with integrated sleeves, the front panels feature chunky lace scaled appropriately across the size range. Wide rib-finished hem, cuffs and a shaped collar that hugs the neck complete this versatile layering piece. Construction: Stolitsa is cast on provisionally at the shoulders, with back and fronts worked separately to the armhole. Sleeve stitches are put on hold and later grafted at the undersleeve seams; the fronts and back are joined and worked back and forth to the hem, with Vine Lace panels on each front, appropriate to match the size. Rib details finish the hem, cuffs and buttonband, and a few short rows softly shape the ribbed collar. Techniques & Skills Used: provisional CO, knit/purl, short rows, simple lace, grafting, picking up stitches. ZigZag Vine Lace is charted only; this pattern includes a buttonhole photo tutorial and link to my short row tutorial. Size: 33 (35.25, 37.5, 40, 43.5, 47)” bust; sample shown in . . .
Helena’s Folly
Le Rayon Vert, or the Green Ray, “has the virtue of making him who has seen it impossible to be deceived in matters of sentiment; at its apparition, all deceit and falsehood are done away, and he who has been fortunate enough once to behold it is enabled to see closely into his own heart and read the thoughts of others.” In Jules Verne’s Le Rayon Vert, heroine Helena Campbell refuses love until she has succeeded in seeing the Green Ray. While evading her suitor, she unwittingly falls in love with another young man, and ultimately misses the appearance of the enlightening Green Ray because she is staring deeply into the eyes of her true love. Is Helena’s Folly believing in the power of the Green Ray, or is it allowing herself to fall in love without safeguards? Perhaps this sweater will bring an enlightening answer. With a sweetly relaxed silhouette, drapey cap sleeves and turned bottom and neck hems, it is a romantic knit for an insightful knitter. Construction: Helena’s Folly is meant to . . .
Patty Ann
Perfect as a light layering piece, Patty Ann is a casual, open front vest knit in Seed stitch with rib edgings. Worked from the bottom up with gentle shaping at the hip and bust and a few short rows to shape the shoulders, only minimal finishing of the back neckband and armhole edging is required. The lean, simple shape is easy to wear and attractive for any body, and the textural stitches bring just enough interest and show off a beautiful hand dyed yarn. Construction: An easy knit worked from the bottom up, Patty Ann is a long vest with gentle shaping at the hip and bust for an attractive fit. Stitches are cast on for the hem and worked in K2P1 Rib, then the body transitions to textured Seed stitch, with K1P1 Rib bands worked simultaneously at the front edges. After the body shaping, front and back are divided at the underarm, with armhole shaping to reduce bulk. A few short rows shape the shoulders, which are joined with a 3-needle bind off. Only minimal . . .