Choose the PatchRib Set ebook, and make the matching collection of scarf, hat and infinity loop. Create a patchwork infinity cowl using fluffy, two-color Fisherman’s rib. The fully reversible stitch pattern allows a different color to dominate on each side, while the shifting color blocks provide plenty of visual interest. Loop it once or twice, wear it twisted or straight; this neckwarmer presents so many styling options. Construction: Worked back and forth from one end to the other, the PatchRIB Loop is cast on using the provisional method, and grafted closed. Using just one color per row, the fluffy Fisherman’s rib stitch pattern is a four-row repeat, in which two RS rows are worked with alternating colors by sliding the stitches to the other end of the circular needle, then the work is turned and two WS rows are worked similarly. Slipped stitch edges keep the color changes invisible and create a sophisticated appearance. Techniques & Skills Used: provisional CO, knit/purl, working into the stitch below, grafting. This pattern contains written instructions, with links to my tutorials for . . .
PatchRib Hat
Choose the PatchRib Set ebook, and make the matching collection of scarf, hat and infinity loop. Accessorize with this slouchy topper, worked in Fisherman’s rib with two colors that swap places partway through. Fold up the brim, or wear it long and loose; the fully reversible construction means you’ve got two new hats! Construction: Worked in the round from the bottom up, the PatchRib Hat is cast on using the tubular method with MC for a smooth, infinity edge, then continued with the addition of CC for the Fisherman’s rib colorwork, which is worked using just one color every round. At every color change, make sure to bring the new color from under the color used in the previous round. Techniques & Skills Used: tubular CO, knit/purl, working into the stitch below, decreasing, working in the round, optional pompom. This pattern contains written instructions, with links to my tutorials for the tubular CO and working into the stitch below. Size: S (M, L, XL) to fit approximately 20 (22, 24, 26)” head circumference; 16 (18, 20, 22)” brim circumference . . .
PatchRib Scarf
Choose the PatchRib Set ebook, and make the matching collection of scarf, hat and infinity loop. Two colors interact in a fluffy reversible Fisherman’s rib, dominating and receding to create an overscale patchwork effect with a different appearance on each side. Add fun pompoms and fling it about your neck for a fashionable frosty season. Construction: Worked back and forth from one end to the other, the PatchRib Scarf is cast on and bound off using the tubular method for a smooth, infinity edge. Color 2 is introduced after the CO for the Fisherman’s rib colorwork, which cycles through the color progression. The fluffy rib stitch pattern is a four-row repeat, in which two RS rows are worked with alternating colors by sliding the stitches to the other end of the circular needle after the first row, then the work is turned and two WS rows are worked similarly, using only one color at a time. Slipped stitch edges keep the color changes invisible and create a tidy and sophisticated appearance. Techniques & Skills Used: tubular CO, knit/purl, . . .
Chunnel Warmers
The Chunnel Leg Warmers have fitted rib cuffs with an optional heel split opening, and deeply textured legs which can be scrunched down or worn up straight. The half fisherman’s rib makes a fluffy and warm texture perfectly suited to artful rumpling. Weave the ends in neatly, and the legwarmers are completely reversible, showing a slightly different but equally attractive pattern on the reverse side. Construction: Worked in the round from the top down, the Chunnel Warmers are cast on and bound off using the tubular method for smooth, infinity edges. Cuffs are worked in K1P1 rib on smaller needles, then continued on larger needles in opulent scrunchy half fisherman’s rib for the leg section. To adjust for different amounts of yardage, in addition to the size range in the instructions, the length of the rib cuff and leg sections may be easily customized by knitting more or fewer rounds, depending upon your yardage and fit preferences. Techniques & Skills Used: tubular CO, alternate cable CO, knit/purl, working into the stitch below, working in the round, . . .
Rivelley
A one-skein shawl for that special luxury yarn, Rivelley is a long stole that forms a plane of smooth stockinette with a textured valley of garter rivels that emanate outward diagonally from the center line. With a gradual slow shift in shape, and a subtly nuanced texture from the decorative rimples, this sophisticated stole is perfect for an elegant solid or tonal semi-solid yarn. Construction: Rivelley is cast on at the pointy tip, and worked on the bias in a long sweep with shaping at both the edges and the center. As the stole grows, the subtly textured central rivels expand slowly and move gently with the overall shape of the shawl. To adjust for different amounts of yardage, work more or fewer repeats within any section after the setup. The sample yarn is discontinued, some suggested substitutions include Seven Sisters Arts Apex, Magpie Fibers Swanky Sock, Dream In Color Smooshy Cashmere, or 400 yards of any cashmere/silk and wool blend fingering weight yarn. Techniques & Skills Used: longtail CO, knit/purl, increasing/decreasing; instructions for this pattern . . .
Ikinngut
Friends – you go on adventures with them, knit with them, and sometimes just appreciate them from afar in the comfort of your own private space. Ikinngut is the Greenlandic word for friend, and this modern rustic sweater is the perfect thing to wear for comfortable, casual rendezvous of all sorts with your besties. Construction: Ikinngut is cast on at the back, the shoulders are shaped with a few short rows, then the back yoke is worked in a textured broken basket rib stitch pattern. The back is put on hold while stitches are picked up for each front shoulder and worked similarly to the armscye depth, with deep V front neck shaping. Back and fronts are united and fullness is added at the empire line with rapid increases creating gathers, then the body is worked in stockinette in the round to the split hem, which is worked back and forth in K2P2 rib. Slim, three-quarter length sleeves begin with picking up stitches around the armholes, then the caps are shaped with short rows, and the . . .
Fleet Cardigan
Everyday, everyway . . . this topdown seamless raglan cardigan is perfect for so many outfits and situations. The cropped and boxy body hits at the high hip to pair well with a dress or high waisted pant, and the roomy full sleeves layer nicely while still being anchored with fitted ribbing at the cuffs. Highly textured seed stitch and a ribbed lapel & collar finished with a rolled edge elevate the style; wear it as a basic or a special sweater every day. Construction: The Fleet Cardigan is knit seamlessly from the top down in allover textured seed stitch, using raglan construction with a compound rate of increase to ensure a proper fit for all sizes. Stitches are cast on at the neckline, then fronts, back & sleeves are worked to the bottom of the armhole. Increases are made on fronts, back and sleeves every RS row initially, then on fronts and back every RS row and sleeves every other RS row until the correct armscye depth is reached for each size. Sleeve stitches are . . .
New Dune
A light-as-air tank top, New Dune offers an updated sleek and cropped silhouette for the high-waisted modern moment. The laceweight yarn creates a whisper soft garment, perfect for layering over a cami or pretty underpinning, and suitably sleek under a voluminous blouse or a light jacket. New Dune goes from morning to night, the beach to the bistro, with a figure-conscious yet body skimming fit. The slim tapered straps and dramatic deep back neckline celebrate your skin, while the relaxed body and fitted rib hem enhance and accentuate your shape. Construction: New Dune is an update of my early Dune tank for Classic Elite Yarns, featuring a sleek and streamlined tank strap, and a modern cropped length to wear with all of our high-waisted pants and skirts. It retains the classic architecture of the original, with slim shoulders, a deep V back neck, and smooth stockinette body with a deep ribbed hem. Cast on provisionally at the shoulders, the back and front are each worked back and forth to the armscye depth, then the body is . . .
L’Heure Verte
This sweater’s color recalls the silvery green foliage of the artemisia plant, used to make the storied spirit absinthe. Drinking absinthe became so popular in French cafés that by the mid-nineteenth century, happy hour there was called l’heure verte (“the green hour”). Deeply textured waves flow from the neckline of the sweater, expanding along with the yoke until they reach the stockinette body and disappear. The transition gives a slight A-line shape to the cropped body, while short rows shape the back neck and body for a good fit, and create the rounded hems. Simple rolled edges at the neckline, hem, and cuffs are clean and practical. Construction: L’Heure Verte is knit seamlessly from the top down using round yoke construction, with an expanding stockinette-based wave texture on the yoke, a plain stockinette body, and rolled neck, cuffs, and hem. Stitches are cast on in the round at the neckline, the back neck is shaped with short rows, then the yoke is worked to the bottom of the armhole. Sleeve stitches are placed on hold while . . .
Walnut Street
A touch of plaid decorates this open front cardigan, with long contrasting lines intersecting on the generous reversible collar. The plaid is created using simple techniques, in which the vertical lines are knit as contrasting stripes, while the horizontal lines are first worked as a purl column in the main color, then the contrast color is applied to the surface later using a crochet hook. Construction: Walnut Street is cast on at the back neck and worked to the armscye depth with a few short rows to shape the shoulders. The back is put on hold while stitches are picked up for each front, and worked separately with a bit of short row shaping to the armscye depth. Back and front are united and worked with gentle waist shaping to the hem. Sleeves are picked up around the armholes and the caps shaped with short rows, then worked seamlessly to the cuffs. Stitches are picked up along the entire front edge and neck, then the reversible collar is worked with contrast horizontal stripes and the . . .